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・ Rudolph Kos
・ Rudolph Krejci
・ Rudolph Lambart, 10th Earl of Cavan
・ Rudolph Latto House
・ Rudolph Leibel
・ Rudolph Lennhoff
・ Rudolph Lewis
・ Rudolph Lexow
・ Rudolph Loewenstein (psychoanalyst)
・ Rudolph M. Clay
・ Rudolph Marks
・ Rudolph Martin Anderson
・ Rudolph Matas
・ Rudolph Matt
・ Rudolph Matthews
Rudolph Maté
・ Rudolph Minkowski
・ Rudolph Mitchell
・ Rudolph Moshammer
・ Rudolph Nickolsburger
・ Rudolph Nims House
・ Rudolph Nissen
・ Rudolph Novak
・ Rudolph of Burgundy
・ Rudolph of France
・ Rudolph of Habsburg (disambiguation)
・ Rudolph Oyster House
・ Rudolph Palm
・ Rudolph Pariser
・ Rudolph Pearce


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Rudolph Maté : ウィキペディア英語版
Rudolph Maté

:''Not to be confused with cinematographer Russell Metty.''
Rudolph Maté, born Rudolf Mayer (21 January 1898 – 27 October 1964), was a European and American cinematographer, film director and film producer who worked as cameraman and cinematographer in Hungary, Austria, Germany, France and the United Kingdom, before moving to Hollywood in the mid 1930s.
==Life and career==
Born in Kraków (then in the Grand Duchy of Krakow, now in Poland) into a Jewish family, Maté started in the film business after his graduation from the University of Budapest. He went on to work as an assistant cameraman in Hungary and later throughout Europe, sometimes with colleague Karl Freund. Maté worked on several of Carl Th. Dreyer's films, including ''The Passion of Joan of Arc'' (1928) and ''Vampyr'' (1932).
Maté worked as cinematographer on Hollywood films from the mid-1930s, including ''Dodsworth'' (1936), the Laurel and Hardy feature ''Our Relations'' (1936) and ''Stella Dallas'' (1937). He was nominated for the Academy Award for Best Cinematography in five consecutive years, for Alfred Hitchcock's ''Foreign Correspondent'' (1940), Alexander Korda's ''That Hamilton Woman'' (1941), Sam Wood's ''The Pride of the Yankees'' (1942), Zoltan Korda's ''Sahara'' (1943), and Charles Vidor's ''Cover Girl'' (1944).
In 1947, he turned to directing films; his credits include the ''film noir'' ''D.O.A.'' (1950), ''No Sad Songs for Me'' (1950), ''When Worlds Collide'' (1951), and the epic ''The 300 Spartans'' (1962).
He died from a heart attack in Hollywood on 27 October 1964, at the age of 66.

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